Tagged with itunes genius

Spoilt for choice?

1000s of albums, one pair of ears!

1000s of albums, but only one pair of ears!

So, I discovered Spotify … then what happened?

I stopped blogging, for a start. You may have noticed. Or not. I also pretty much stopped listening to music for two days.

I think I got a bit overwhelmed by having such an incredible amount of exciting music at my fingertips, and the knowledge that I could seek out an infinity of new bands without it costing me a penny. It’s the audio equivalent of ‘Blockbuster Blindness’, that unfortunate condition that afflicts me every time I walk into a video store in search of cinematic entertainment. Left to my own devices I could probably think of five or six movies at any one time that I’d like to see, but stick me amidst all those stacks of DVDs and blu rays and I instantly cease to function.

Choice is a wonderful thing for sure, but it can also be quite tiring.

I guess we all approach the challenge of choice in different ways.

The other day a friend told me she’d taken the plunge and activated itunes genius, and she was getting frustrated with it. When I showed her how to use it to create playlists from her current library she was confused and not the least bit impressed. “But I’ve already got that music, why should I be interested in that? I want it to tell me what else I should listen to, based on what I like.” she countered. A fair point, but that was far from my motivation for using genius, as I’ve already explained in a previous post. I always saw the genius sidebar as a necessary evil, an irritating by-product you could thankfully hide in a corner. For that reason I’d never actually seen it until she showed me.

This got me to thinking about the different methods we employ to discover and purchase new music.

For me, I think it’s all about the three Rs.

  • Reviews
  • Recommendations
  • Roadtests (from now on, thanks to Spotify)

Reviews

I find reviews can be useful, especially after years of reading between the lines and applying my own sense and judgement to cut through the hyperbole to ensure I don’t get hoodwinked into buying a duffer. Working in a marketing and PR environment I am naturally wary of taking things at face value or getting caught up in the hype. I mainly read reviews in Q magazine and The Word magazine – after a while you get used to which reviewers you trust; who seem to like the same type of music or appreciate the same musical values. Reviewing is quite a skill: if you don’t believe me, give it a try. Take an album you really like and try and evaluate it in an entertaining way in 300-500 words and not cringe when you read it.

Really well written reviews are often the catalyst for me to find out more and listen to bands I might not have heard of yet.

Recommendations

Word of mouth is undoubtedly one of the most effective ways of advertising, but it is completely dependent on trust. We’re a fickle bunch, us 21st century consumers, and if we suffer one bad experience as a result of a personal endorsement that’s probably the last time we’ll take notice of that particular source. We all have one or two (possibly many if you’re very lucky) friends or acquaintances whose musical taste we have complete confidence in and are prepared to follow, however left field their suggestions may first appear.

My top spotter is my little brother. Years ago, as sibling tradition dictates, we each ploughed our separate furrows and drew up the barricades: these are my bands, those are yours – none shall pass. However, we’re too old for that now, and not quite so competitive anymore, so it’s OK to swap recommendations.

Thanks to Jon I’ve discovered some great music including Grandaddy, Joanna Newsom and one of my favourites, Iron & Wine. The key to his recommendations was to actually play me the music, and I think that’s always far more successful than the ‘you should check out so-and-so’ comment in passing. This method also resulted in me discovering one of my favourite albums of all time, ‘Closing Time’ by Tom Waits, thanks to my friends Jen and Stacy Zosky on a long drive from Toronto to Quebec. The same trip garnered ‘Tea for the Tillerman’ by Cat Stevens and the self-titled album by Lyle Lovett and his Large Band.

Which leads me neatly to:

Roadtests

‘Try before you buy’ has got to be the best method. I was very excited when we first got a Borders store in Oxford, because of their unique CD listening stations through which you could sample a few tracks of virtually any CD in store by scanning its barcode. Sadly it didn’t last, the novelty wore off and the headphones (and most of the CDs) have disappeared completely now.

I guess the itunes store was the nearest equivalent I encountered next, with its 25 second previews, but these have always seemed rather hit and miss to me – I’m sure we all know songs with a really duff 25 seconds segment that are otherwise brilliant and vice versa.

Which brings me back to Spotify, which so far seems to be a faultless roadtesting platform. Although there will always be a slight delay between an album’s release and its availability on the library, they do seem to be fairly up to date – I had a quick listen to a few tracks from the new u2 album the other evening to see if it lived up to the hype of the Q review (it didn’t).

I’ve managed to find recent albums by My Morning Jacket and Los Campesinos! that I was interested in buying, and have been merrily listening to them for the past couple of days. So far, so good.

The only dilemma this final step in the process presents me with is should I bother getting the download, or just learn to be content with listening to these new discoveries for free on my laptop…..

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Are you a genius fan?

You’ve heard what I have to say – what do you think?

If you do use genius to create playlists, feel free to share any of your favourites via the comments page or the Facebook group.

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Genius or idiot savant?

itunes genius - is it?

itunes genius: is it?

When I got my new ipod classic 120GB just before Christmas (to replace the much lamented 80GB that succumbed to ‘sad face’ syndrome in mysterious circumstances in early December) I was intrigued and alarmed in equal measure by the new ‘genius’ feature.

A friend had described it as ‘brilliant’, and then when she proceeded to explain that you activated it by sending Apple all the data from your itunes library and then it suggested music you might like to buy from the itunes store I was less convinced.

This reminded me of all the highly irritating prompts and suggestions that my Amazon account has become riddled with over the past couple of years. When I buy a Richard Scarry illustrated book for my godson or a Tales of the Night Garden toy for my two-year-old niece I am not making a statement about my purchasing choices from here on in. It is not a logical step to assume that every time I log on to Amazon from now on that I wish to purchase associated childrens’ toys, DVDs or CDs, and to find my recommendations page plastered with these alongside the latest Guillemots album is bizarre and frankly quite disturbing.

The Fear

I was fearful of enabling Genius and causing a similar effect to my ‘splash’ page on the itunes store. As you may have guessed by now (and if not you’ll soon realise) I am quite picky about the music I listen to and I don’t wish those high standards to be compromised. If, for instance, I love my wife so much that I’m prepared to download a Girls Aloud album for her from my itunes account (making darned sure it goes straight into her ring-fenced library only of course) I don’t want the whole world to know about it. What? Oh. Bother.

So, anyway, I was rather sceptical about the whole enterprise and although after Christmas my finger was poised over the genius logo button a couple of times, and I did click the ‘find out more’ section, I was still nervous about letting Apple have my library data. I have to admit, this was less to do with data protection and more to do with saving face. I would have been mortified if some data analyst geek somewhere assumed that the person who liked very cool bands like Interpol, Kings of Leon, Arcade Fire and Midlake was also a fan of Kelly Clarkson, Leona Lewis and (it pains me to even type this) Steps.

The Plunge

Eventually though, some time towards the end of January my curiosity got the better of me and I took the plunge. As I saw the library data chugging away into the ether I was sweaty-palmed and quite anxious, regretting what I had done, and anticipating a long list of recommended pop pap next time I hit the itunes store.

What happened next though was very interesting. The reason I had decided to bite the bullet was the intriguing prospect of genius concocting ‘instant’ playlists for me from a single song. So, I picked a song at random from my library, clicked the genius icon and waited. For about 3-5 seconds. And then there it was, so quick I almost missed it. A fully formed playlist of 25 songs, based on the one I’d chosen. The cynic in me insisted on trawling through each one of the 25 to find a quirk, a clear misfit that would make the application a dunce. I couldn’t find one. It was a really good playlist, and the ‘feel’ or ‘flavour’ of the songs were all a good match.

The Fluke

Obviously that was a fluke, so I had another go, choosing a favourite folk song ‘The Blooming Heather’ by Kate Rusby. ‘This’ll fox it’ I thought, but if anything, this playlist was even better: ranging from the traditional English folk of Kate Rusby and Seth Lakeman, to more modern quirky alt-folk artists such as Joanna Newsom and Devendra Banhart, via the latest singer/songwriter sensations such as Laura Marling and Emmy the Great with some classics such as John Martyn, Loudon Wainwright III and Fairport Convention thrown in for good measure. I listened to it regularly for the best part of a week, and it had taken genius around 6 seconds to compile!

Cutting a long story short (never a strong point of mine) I spent a delirious 5 minutes selecting songs from very different genres and being amazed and delighted by the results. I ended up with 15 really excellent playlists that would have taken me several days to put together myself.

The speed!

The best thing about genius for me is the speed, and the fact that it isn’t a perfectionist application: it doesn’t mind throwing things together. If I make a playlist I agonise for ages and invariably only pick the very best songs from a handful of groups I couldn’t be without. Genius is prepared to mix it up a little, and as a result I am suddenly hearing tracks for the first time that I might not have otherwise discovered in my collection.

I have well over 5000 songs in my library, and there are probably many hundreds of them I have not yet listened to: genius is helping me make my way through them, with a lot of delightful discoveries along the way.

On the downside, one or two songs did crop up a couple of times on different playlists, which is disappointing when I have only set my lists to contain 25 songs (you can also have 50, 75 or 100). I also discovered that, like all geniuses, it can be a little petulant at times. When trying to use ‘Le Toi Du Moi’ by Carla Bruni as the catalyst for a World Music playlist (as you do), genius was having none of it, insisting it couldn’t produce a list until I ‘updated’ my library data with Apple. It was the digital equivalent of “I don’t do foreign” accompanied by a sulky shrug.

However, I have to say that overall I am delighted with the feature and it puts a smile on my face every time it delivers a new list – I have only waded through about 5 of them so far. Perhaps best of all, you can actually refresh the playlist while it’s playing and it will choose another similar selection based on the original song. Now that’s clever, or some might say …….

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