Posted in May 2009

Song of the week: Rococo Zephyr

I’m not committing myself to doing this every week, but it might work as an occasional series. Sometimes you just get really taken by a particular song and keep listening to it, then find yourself humming or singing snatches of it around the house, or at work (which can be embarrassing).

So, to kick this off, the inaugural winner is:

Rococo Zephyr by Bill Callahan

Great song, great album cover

Great song, great album cover

You know how it is, you’re minding your own business, listening to a new album, when suddenly, out of nowhere a song just grabs you by the scruff of the neck and growls “What do you think about that then?”. OK, just me then.

Well, this happened a couple of songs in to the curiously titled ‘Sometimes I wish we were an eagle’ by Bill Callahan. I’m not sure if it was the lilting orchestral backing, the effects of that voice (a deep baritone that sounds like a weird fusion of Nick Cave and Nick Drake) or the gorgeous dreamy lyrics that had me hooked.

It was probably a combination of all the above. I just remember listening with a grin on my face that got broader as the song progressed. I loved a few of the lyrical touches: “She watched the water ripple, ripple ripple light/Light watched the water ripple ripple ripple she” and the way he delivers the lines: “I did some kind of dance/Jaunty as a bee” just had me beaming. The very fact that he describes the zephyr (slight gentle breeze) as rococo (florid and elaborate) is worthy of some kind of award in itself.

I’m not entirely sure I understand everything that’s going on in the song, but it does evoke a very idyllic pastoral scene and by means of a lovely gentle tune.

I managed to find a video of him performing it in a record store in Ohio, but I prefer the album version for the additional backing instrumentation and the haunting female echo of “rococo” . I was also a bit disappointed that he looked fairly normal (though uncannily similar to Nick Drake) – I’d been expecting him to look like Yoffy from Fingerbobs, but you can’t have everything.

A fantastic song that would be the perfect soundtrack to a riverside picnic, just in time for Summer. And a serious contender for my favourite song of the year.

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Spotify update

It's fabulous. And free!

It's fabulous. And free!

In the past week several people have informed me that they have downloaded and are using Spotify as a result of reading this blog, which is really pleasing. At least one brave soul had also been listening to some of my recent recommendations – thanks Jim! As a result, I thought it was about time to write another article updating you with the latest developments surrounding the Swedish streaming sensation.

At the end of April there was an interesting interview on the Guardian’s Digital Content Blog with Paul Brown, Spotify’s new UK managing director. Worth a read, but some of the main points he touched on were:

  • There are now more than a million registered users in the UK
  • A “decent proportion” are paying for the service (either £0.99 per day or £9.99 per month)
  • They have launched a partnership with 7 Digital to sell downloads which is likely to expand
  • They are looking to extend the range of quality content available, including things like Peel sessions that were locked up by radio contracts
  • They are looking seriously at portability and specifically, paid services available on the iphone.

Spotify and I

From a personal viewpoint, using Spotify for the past two months has transformed my relationship with music, in terms of how I listen and what I listen to.

For a start, it’s proving to be a solid gold ‘try before you buy’ tool and more effective than any other I have used. For the record I have actually bought more albums than usual during that period (although that’s partly due to birthday vouchers etc) so listening to streamed music for free has not stopped me buying music, it has just helped me make even better choices.

I roadtested and later purchased the following excellent albums:

  • Yeah Yeah Yeahs – It’s Blitz!
  • The Decemberists – The Crane Wife, Picaresque
  • Great Lake Swimmers – Ongiara, Lost Channels
  • Vetiver – Tight Knit
  • Bat For Lashes – Two Suns
  • Wilco – Yankee Hotel Foxtrot, Being There
  • Staff Benda Bilili – Tres Tres Fort
  • Yo La Tengo – I Am Not Afraid Of You And I Will Beat Your Ass

On the other hand, I chose not to buy a few others after giving them a Spotify spin (U2 and Doves take the walk of shame – although I did download “Kingdom of Rust”).

It is also a fantastic way to discover bands you’ve not heard before. Before Spotify I was not really aware of The Decemberists, Great Lake Swimmers, My Morning Jacket or Wilco and had never even heard of Cara Dillon or Staff Benda Bilili. The first couple have fast become two of my very favourite bands and I’m gradually working my way through their impressive back catalogues.

Spotify is also a fast and efficient record identifier. Last week Nic mentioned a couple of times that she’d heard a song on the radio she really liked and wanted to download it from itunes. Only problem was she had no idea of the artist, only a rough idea of the title. Thankfully that was enough, and within about 20 seconds I’d discovered the song in question. In the days before Spotify it would have taken a great deal longer to track it down and may have been quite a frustrating process.

If you’re a new user you might be too spoilt for choice to decide what to listen to, faced with such a huge array of great music. If that’s the case, help is at hand. There are a number of web sites where people are sharing the playlists they have compiled, and two of the best are Spotify Playlists and ShareMyPlaylists. Once you’ve got the hang of it of course, you can join in the fun by sharing your own selections.

I haven’t got that far yet, as I’m still wading my way through all the albums I have identified from reviews in Q and The Word magazines.

What price freedom?

I’m beginning to wonder what we ever did without Spotify to be honest, and I can’t believe that (at least for now) it’s still free. The adverts have become slightly more irritating but an occasional 15 seconds of Iggy Pop shouting on behalf of an insurance company is a small price to pay for so much great music.

However, as the company explores more revenue streams and looks to develop its business model they will undoubtedly try to tempt more of us to pay for the privilege. Back in March if you’d asked me if I’d pay £9.99 per month for the premium service I would have resolutely said “Never!”. But if that price were to cover an ad-free service and unlimited downloads as is the current rumour, I’d have to give the proposition some serious thought.

And so would Apple!

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Awkward Family Photos

I know this has nothing to do with music, but I make no apologies for drawing your attention to this wonderful blog which has had me in stitches for ages this evening when I should have been writing here.

Awkward Family Photos is such a brilliantly simple idea, but so hilarious.

There are so many great pictures up there, but my favourites have to be the two in the ‘Awkward Family Holiday Cards’ Archive. I’m sorry if it’s cruel but there’s something so endearingly hilarious about ’30/80′ (those eyes, that sweater!) and as for ‘Tis the Season’, I don’t know where to begin. Is he serious with that sweater – you just know that her matching one says ‘World’s Best Mom’. Oh Munchkin, with these his ‘n hers festive tops you are spoiling us!

It also reminded me of a fantastic photo of my family at Christmas, possibly 1978, when everyone dutifully posed for the camera apart from my Grandad and Uncle who carried on watching the telly regardless. If my dad or brother can oblige with a copy I’ll happily include it here for your delectation and delight. Worth it for the fashion infractions, hideous carpet and sofa alone.

In the meantime, enjoy the horrors of countless American family albums ….

….. and then come back here to read more about Spotify!

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Wired for sound

The Wire: listen carefully!

The Wire: listen carefully!

Thanks to Spotify, the other day I discovered quite by accident, the version of Tom Waits‘s song ‘Way Down In The Hole’ by The Blind Boys of Alabama.

I’d only ever heard it before as the theme song from The Wire, and as I’ve only watched season one on DVD so far I’d never seen the credits for long enough to find out the identity of the artists.

It’s a fantastic song and it suits the opening credits of the show so well, it’s hard to think of one existing without the other. As a big Tom Waits fan I’m embarrassed to admit that I hadn’t heard his version of the song before and wrongly assumed it had been composed for the TV show.

Anyway, it got me to thinking that it’s probably my favourite TV show theme song ever. I’m specifying song rather than theme tune, as that accolade would have to go to the hot slab of funk that precedes each episode of Starsky and Hutch.

I’d also like to suggest that children’s TV programme themes are a different category too, but if we’re going there I’m voting for Banana Splits as the theme tune, and ‘White Horses’ (theme song to obscure ancient TV show about horses featuring a pretty girl who was my first crush, when I was five!) a version of which I tracked down last year and actually have on my ipod for nostalgia purposes.

Go on then, I’ve set my stall out, now shoot me down in flames with your own favourites.

For me it’s fitting that The Wire, the series most critics consider to be the best TV drama ever made, should also have the best theme song.

But you may beg to differ……….

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